Seamus Heaney and the Thomas Hardy Society
The Nobel prize-winning poet, Seamus Heaney, has just delighted members of the Thomas Hardy Society by accepting an offer to become one of their Vice Presidents.
It is really a double celebration because he has also recently accepted an invitation to give poetry readings during the Thomas Hardy Conference in Dorchester next August. Chairman of the Hardy Society Furse Swann said: 'I am thrilled that, for the first time in the Society's 35-year history, we now have a winner of the Nobel Prize for Literature as one of our Vice Presidents. It is a great honour for the Society'.
Heaney has visited Max Gate, Hardy's home in Dorchester, at least twice; on one of those occasions, Millennium Eve, he went to Max Gate incognito so that he could read Hardy's poem 'The Darkling Thrush' in the garden to mark the centenary of the poem's publication. Heaney won the Nobel Prize for Literature in 1995 and was subsequently made a Commandeur de L'Ordre des Arts et Lettres by the French Ministry of Culture. He has always been a Hardy enthusiast. In a recent interview with Irish Radio, Heaney said that Hardy's poetry made him say 'Yes' because it gave him a feeling that something was 'coming home' to him.
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Kinnell Publications from Magpie Books
Kinnell Publications was
formed by Richard G. Lewis, a reclusive London science fiction bookseller, and Arthur Cunningham, a collector and part-time bookdealer of many years.
The small imprint, run on a very part-time basis by the pair, concentrated on hardcover trade editions of genre fiction titles, previously only published in paperback. A surprising number of authors, including illustrious names such as Philip K Dick, are only published in paperback until they are well established, sought after and collected. Thus Kinnell cornered a niche market producing first hardcover editions prized by collectors.
Science fiction publishing was in an interesting state. Perhaps a little before its time and certainly before science fiction was regarded as a significant genre in the world of publishing, the noted science fiction critic Roz Kaveney persuaded mainstream publisher Chatto and Windus to produce Tim Power’s “Anubis Gates” and “Dinner at Deviants Palace” and also Lucius Shepherd’s “Green Eyes”. Indicating the size and potential of the market, all three had sold out in the hardcover trade edition within weeks of publication in 1985-6. Despite this success, and the wider readership of science fiction and fantasy, publishers remained wary of printing hardcover editions.
In addition, other UK small presses of the time such as Kerosina, Morrigan and Drunken Dragon were publishing small runs of books with ‘added value’, bound and boxed with additional material, in the science fiction, fantasy and horror fields.
Kinnell came about in 1986 while Arthur Cunningham and his then partner Pam were living in Richard Lewis's front room! The name Kinnell was decided upon one night after many hours wrangling over an appropriate name for the new business.
Cunningham recalls “Lewis favoured 'The Myrmidon Press', while I wanted something more workaday. Finally, Pam, who had been patiently listening to all this while trying to watch the TV, said, “’kin' hell! Why can't you two make up your minds?”’. Both Richard and I paused and looked at each other. Richard said, 'What did you say?'. Pam said, “’kin' hell why can't you two buggers make up your minds”. I looked at Richard
and said, 'Kinnell?'. To which he said, 'OK'.”
Kinnell used a simple format, generally reusing the existing cover art where possible and
resisting the temptation to produce deluxe editions. The occasional Kinnell leather bound founders and presentation copies have found their way on to the market in recent years, but in general the Kinnell first hardcover editions are standard publications. One notable exception to the reuse of cover art was the strikingly original wraparound jacket artwork by science fiction author Keith Roberts for Philip K.Dick’s “Our Friends from Frolix 8”.
Although the Kinnell print runs were generally in the relatively small 1500-2000 range none of the titles have become particularly scarce. Because they were marketed to collectors via specialist shops and catalogue dealers, a large number are still in existence (and, we can confidently predict, in pristine condition).
In all, 19 titles were published over 5 years. Although in 1991 they broke with their previous tradition and purchased the rights to reprint “The Rose” by Charles Harness, which would have been a reprint of an earlier Sidgwick and Jackson 1968 hardcover, it never appeared. It was then, after a very busy publishing year, Cunningham moved to Yorkshire to take up the post of Head of Bibliographic Publishing at the British Library. The distance and new responsibilities made carrying on the business difficult to the point at which Cunningham asked Lewis if he would like to take over completely. In 1992 Lewis took control of Kinnell. Since that day, no more books were ever published under the Kinnell imprint although they continued selling their back catalogue right up until Richard Lewis’s departure to New Zealand some years later. Arthur Cunningham and Richard Lewis, however, remained the best of friends.
Chronology
Published
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Title,
Author
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ISBN
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Dec '87:
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A Room to Die In, Ellery Queen
(Jack Vance)
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1-870532-00-7
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Apr '88:
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The Mad
Man Theory, Ellery Queen
(Jack Vance)
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1-870532-01-5
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Oct '88:
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Stinger, Robert R. McCammon
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1-870532-02-3
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May '89:
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Act of Love, Joe R. Lansdale
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1-870532-04-X
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The Orphan, Robert Stallman
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1-870532-03-1
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Jun '89:
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Our Friends from Frolix 8, Philip K. Dick
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1-870532-08-2
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A Talent for War, Jack McDevitt
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1-870532-09-0
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Aug '89:
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The Captive, Robert Stallman
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1-870532-06-6
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Bethany’s Sin, Robert R. McCammon
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1-870532-10-4
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Oct '89:
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The Drive-In, Joe R. Lansdale
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1-870532-15-5
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Apr '90:
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They Thirst, Robert R. McCammon
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1-870532-22-8
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May '90:
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Sunglasses After Dark, Nancy A. Collins
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1-870532-25-2
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The Drive-In 2 (Not Just One of Them Sequels), Joe R. Lansdale
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1-870532-17-1
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Jul '90:
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Necroscope IV: Deadspeak, Brian Lumley
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1-870532-23-6
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The Night Boat, Robert R. McCammon
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1-870532-21-X
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Oct '90:
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Dead in the West, Joe R. Lansdale
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1-870532-24-4
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The Beast, Robert Stallman
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1-870532-07-4
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Mar '92:
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All Hallow’s Eve, Richard Laymon
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1-870532-26-0
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Beware, Richard Laymon
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1-870532-28-7
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